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While self-censorship among artists in Japan is not a new issue, recent cases of self-censorship in the humanities rekindled the debate. A recent decision by the Aichi Triennale to cancel an endorsement of a collection by South Korean artists depicting Japanese infantrymen in Nanjing has reignited the controversy. While it's essential to give protection to the freedom of expression, it also can embolden extremist elements. In Japan, most contemporary art museums are publicly owned, and the MAM has been the subject of protests. However, despite its controversial position in the sphere, the museum is privately owned and backed by the effective Mori family, that's a pillar of the Japanese culture. There are many the explanation why artists may self-censor their work. Some are symbolic, designed to advertise social team spirit and avoid insults to shared values. Others are in keeping with the interests of useful people. For example, censorship that limits free speech erodes public trust, and it also prevents people from making informed choices during elections. Another problem with self-censorship is that it is used to attack the 'other' side of a dialogue. Far-right voices often cherrypick examples to advertise their cause.

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